The art of Chinese painting : capturing the timeless spirit of nature

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total 181 pages, English translations with color pictures Traditional Chinese painting was fundamentally an abstract art form. Although there were no absolute abstract Chinese painting in its original meaning, objects in a painting were not a direct copy of the nature world following the principle of perspective. It was rather a combination or harmony between the nature world and human emotion, a product of ??? heaven(nature) and human???. The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of objects in their painting was no means accurate and few concerned about such factors as colors, principle of perspective, anatomy, surface feel, and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world.

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สถานภาพ

0004790

ND1040 .L46713 2008

Research Library (อาคาร 1 ชั้น 4)

พร้อมให้บริการ

Detail Information

ชื่อชุด

Cultural China series

เลขหมู่

ND1040 .L46713 2008

ผู้จัดทำ

: Beijing : China intercontinental Press, 2006., 2008

ลักษณะวัสดุ

153 p. : ill. (some col.) ; 23 cm.

ภาษา

English

ISBN/ISSN

9787508509648

หมวดหมู่

Painting

Content Type

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Media Type

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Carrier Type

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ครั้งที่จัดทำ

1

หัวเรื่อง

Painting
Painting -- History.

ชื่อเรื่องเพิ่ม

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Statement of Responsibility

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เอกสารดิจิทัล

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